How’s everyone? I hope you are hanging in there during this pandemic! To assuage your boredom, I have another podcast to recommend you to. Issac Meyer is a historian and teacher who is the creator of the History of Japan podcast. He recently did a three part episcode featuring Japanese feminists Raicho Hiratsuka and Fusae Ichikawa. Definitely check out Part 1 where Shojo Power! gets a shout out!
So I don’t get to listen to podcasts as much as I used to, and I have a list a mile long to dive into, BUT a lovely little podcast that I’ve enjoyed listening to invited me onto their show! That podcast is Manga Machinations, a podcast that focuses on more obscure and unknown manga. Obviously Sailor Moon is not obscure, but I had the opportunity to discuss important Japanese feminists which hasn’t quite hit the mainstream yet. LOL.
The podcast features dakazu, darfox8, seamus and Morgana. In addition to being lovely people, each brings their own unique experience and background to the podcast. dakazu lives in Hawaii and seamus lives in Ireland which makes it a podcast that literally spans the globe! Please enjoy!
Time stamps courtesy of Manga Machinations:
00:00:00 -Intro Song: “Sailor Star Song” by Kae Hanazawa from Sailor Moon Sailor Stars, Opening, Introductions, Social Media
00:03:06 – Learning about Anne’s origins in anime/manga fandom
00:07:59 – Anne gives us her hot take on Sailor Moon Crystal
00:10:14 – Anne explains how volunteering for an ESL class in college led her to teach English in Japan
00:14:10 – After giving a panel about Sailor Moon and feminism Anne decided to create her blog Shojo Power!
00:16:12 – Anne tells us about Takarazuka Revue and the various Sailor Moon musicals
00:23:26 – We discuss why manga musicals aren’t made available for the International market
00:26:23 – Anne shares her experience seeing the 2019 Sailor Moon Musical in New York
00:30:31 – Morgana tell Anne about what manga she recommended to girls while working at Comicopia
00:34:41 – dakazu asks Anne about her thoughts on problematic elements in Japanese manga & anime such as lolicon
00:44:28 – dakazu is concerned about the ramifications of Japanese brothels that cater to train molestation fantasies
00:50:09 – Anne shares her thoughts on the perception that Sailor Guardians are sexy
00:58:04– Anne points out the existence of the Sailor Moon branded condom
00:59:18 – Anne gives some thoughts about why Sailor Moon is finally getting a digital release
01:01:58 – Anne gives her recommendation on how to get into Sailor Moon for the first time
01:05:42 – Next Episode Preview and Rundown: New Chapter Check-in, dakazu and Darfox will be going full spoilers with the newest chapters of their favorite manga series
01:06:41 – Main Segment Sailor Moon Translations & Taisho Era Feminists, Transition Song: “Rashiku Ikimasho” by Miyuki Kajitani from Sailor Moon SuperS, We discuss translations and learn about feminists from the Taisho Era of Japan
01:07:34 -Anne explains the various translation the Sailor Moon manga has gone through
01:10:48 – Anne asks the hosts for their preferences on translating sound effects and onomatopoeias
01:20:24 – We discuss the use of honorifics in English translations
01:23:50 – Morgana hated renaming characters with English names in Yo-kai Watch 01:29:26 – Darfox brings up the different character names used in the Spanish dub of Sailor Moon 01:32:58 – Darfox comments on how hilarious Minako was in the 90′s anime
01:35:13 – Searching for Japanese feminism led Anne to learn about Raicho Hiratsuku
01:43:17 – We discuss the relevance of Raicho’s motivations for women’s rights with the current discourse about no female editors working at Weekly Shonen Jump
01:48:44 – Anne shares a story about Beate Sirota Gordon writing the women’s rights section of the new Japanese constitution in 1946
01:56:07 – Anne shares a list of books about Japanese feminism
01:59:00 – We thank Anne for joining us, Next Week’s Topic: New Chapter Check-in, Social Media Rundown, Sign Off Song: “wish men” by sunbrain from Beet the Vandel Buster
You can follow Manga Machinations on Twitter and Tumblr.
I have no idea what this means–but I am intrigued!
4. sailor moon boobs
Again with the boobs!
5. how much does sailor moon weigh
Actually, this is a really good question. I have no idea!
6. titanime
I dunno, fam. I’m not sure I’d really call Sailor Moon a “tit anime” although I suppose there are some nice tits in the last episode of Sailor Moon Sailor Stars.
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As for some general updates–I’m not sure if the podcast will be continuing, real life has been getting in the way. However, I do have episode 5 on my computer, waiting to be mixed, so I will see if I can get off my tush, and finish that. A lot exciting Sailor Moon news has come out–more Nogizaka46 musicals, a Princess Kaguya musical in 2020, a permanent stage/dinner show called Shining Moon Tokyo, the English dub of Sailor Stars has been released—and, last but not least! Finally word on the Sailor Moon Crystal Dream Act movies–Sailor Moon Crystal: Eternal, releasing in 2020! I’m aiming to visit Japan in the summer 2020 for the Princess Kaguya musical, but we’ll see.
In the meantime, I’ve been pretty active on Instagram, Facebook, Twitter and Youtube. When I’m not writing articles for Shojo Power!, I’m buying Sailor Moon merch and sharing it with you all on these platforms! How are you all doing?
It’s been a joke among Sailor Moon fans for years–Sailor Star Maker’s attack call is “Star Gentle Uterus.” And now, North American and English speaking fans can finally legally enjoy it with the release of the final season of Sailor Moon, Sailor Stars. I imagine a lot more Sailor Moon fans will be asking the same questions we all have at some point—-how???? Why??? Well, I’m here to shed some light on that!
I, myself, was in the dark for the longest time regarding these questions. In fact, it wasn’t until quite recently that I learned that some fans identify the inspiration for the Sailor Starlights as coming from Hindu mythology. In Hindu mythology, there are three main gods–Brahma (The Creator), Vishnu (The Preserver), and Shiva (The Destroyer). This fits very nicely with the names of the Sailor Starlights–Sailor Star Maker aka The Creator, Sailor Star Healer aka The Preserver and Sailor Star Fighter aka The Destroyer. Which brings us back to Sailor Star Maker’s infamous attack, Star Gentle Uterus.
While life is created in many ways in mythologies around the world, in our every day life, life begins in the uterus, so it makes a lot of sense that Sailor Star Maker’s attack name would include “uterus.” Of course, though, I suppose that’s not necessarily why people giggle at the attack name. We giggle at it because we’ve been taught to view the female reproductive system as private and taboo to talk about. It’s a double standard–society views the penis as both humorous and natural to talk about. Previously, I’ve talked about how a vagina kayak made more people uncomfortable than a mascot with an erection or penises at fertility festivals.
For some feminists, it’s important to eliminate the taboo of talking about female bodies so that people can feel more comfortable with their bodies and consequently, feel more empowered about their health and sexuality. Previously Naoko Takeuchi has made “negative” feminine attributes like crying into an attack, so perhaps she was trying to reclaim the power of uteri here.
So, whenever Star Gentle Uterus comes up, I’m actually pretty happy with the attack name. I think we need to talk about the female reproductive system more casually. I’m all for jokes like these if it actually educates you about human bodies!
In fact, the only small quibble I have with the attack name is that I’m not sure why it’s “gentle.” For many people, once a month, their uterus it anything but gentle! It’s more like:
And that’s just uteri! The actual creation of stars in the universe is rather intense.
So if you could come up with a better attack name, what would it be?
Claudine was written by Riyoko Ikeda in 1978, just a few years after her megahit Rose of Versailles hit the scene. Rose of Versailles was originally supposed to be a historical fiction work centered on the life of Marie Antoinette, but the handsome and noble soldier Oscar, who was assigned female at birth but lived as a man, quickly became the most popular character. Soon after the manga’s publication, Rose of Versailles was adapted for the Takarazuka stage. The stage production was so popular, it financially saved the all-female theater troupe.
Enter Claudine. I had always thought that perhaps Naoko Takeuchi was the first mangaka to take the characters from the fantastical world of the Takarazuka Revue and put them in the real world. Our favorite lesbian power couple Sailor Uranus and Sailor Neptune were modeled after Takarazuka actresses–and instead of portraying a heterosexual relationship as they would in a Takarazuka production, they are a lesbian couple. However, I was wrong. Riyoko Ikeda was placing these characters in the real world more than a decade before Sailor Moon hit the scene.
WARNING: SO MANY SPOILERS FOR CLAUDINE!
Content Note: In Claudine, the title character is referred to as female throughout manga. However, in this article I’ve used male pronouns to reflect Claudine’s gender preference. This follows how the translator and others have referred to Claudine as well.
In the past, I’ve written about some trans metaphors in Sailor Moon regarding the Sailor Starlights. But obviously, sometimes metaphors aren’t good enough. And while Sailor Moon gave us the best lesbian power couple ever, it’s 2018—how do trans issues fit into Sailor Moon? I’ve always thought that since trans women are women, trans women have always had a space in Sailor Moon. But since the manga and anime are over, how can that made crystal clear? Well, I’m happy to report that I have two wonderful examples to share with you!
Warning: Some mild spoilers for the Sailor Moon Super Live
Recently I had the opportunity to appear on Anime Feminist‘s podcast to talk about the first season of Sailor Moon. Dee and Vrai are so funny and entertaining, you have to give it a listen! What’s really interesting about this podcast is that all three of us have different perspectives of Sailor Moon. Dee did not grow up watching Sailor Moon, yet she’s a total Stan. Vrai is revisiting Sailor Moon after being away from it for awhile and get this–they have never seen Sailor Stars! I AM SO EXCITED FOR VRAI YOU GUYS. And there’s me, the Ami of the group chiming in about my encyclopedic knowledge of all things Sailor Moon. ^_^
We plan to cover all five seasons–so please enjoy! I wrote up some fun pros & cons lists for Sailor Moon R, so I’ll post that with the next podcast–stay tuned!
Episode 3 of the Shojo Power Podcast is now available on SoundCloud!
Also, I have some exciting news–I’ve finally created a Patreon in conjunction with the podcast! Pledge now before Monday, September 24th 2018 5:30 EST and you could be part of our next podcast!
Episode 2 of the Shojo Power Podcast is now available on SoundCloud! Just FYI, this episode discusses body image issues like weight and dieting. Please follow so you can review our monthly podcast.
And in case if you missed it, here is our first episode where we compare and contrast the first episode of Sailor Moon Classic and Sailor Moon Crystal.
In the Summer of 2018, the Sailor Moon S and SuperS movies were released in North American theaters. Growing up, the Sailor Moon S movie was my favorite—although now, having viewed the R and S movies back to back, I do agree with most fans—the R movie is the best. That said, the S movie still holds a special place in my heart. Who doesn’t love Human Luna and understand her heartbreak? Another reason I love the S movie is that it has a less fantastical moon princess in it, astronaut Himeko Nayotake.
In Sailor Moon Short Stories 2, Naoko wrote extensive notes on where she drew inspiration from for this story. Naoko writes that she flew all the way to Kennedy Space Center to watch Dr. Chiaki Mukai launch into space. On whim, I googled Dr. Mukai’s name and discovered that this wasn’t any ordinary space launch. With this launch on July 8th 1994, Dr. Mukai would become the first Japanese woman in space.