The lovely team at Transformation Sequence invited me on their way cool podcast again to review Sailor Moon Crystal. I haven’t really done any episode reviews on here–Crystal tries to get through so much plot, it’s hard to say any of substance apart from the plot itself for each episode. That said, in this podcast we review the whole Dark Kingdom arc. So for episode recap lovers, here you go!
In 2013, I had the opportunity of a lifetime to see the first production of the new Sailor Moon musicals, La Reconquista. Two years later, with the stars aligned, I was able to travel back to Japan to see the third musical, Un Nouveau Voyage, which is based on my favorite season, Sailor Moon S. This adventure was super special because I was able to come with my fiancé and brothers to Japan for the first time. It was amazing!
On July 7th 2015, Shojo Power! celebrated its 2nd birthday. Wooohooo! This past year was full of conventions, posts and more exciting adventures. Onto the statistics!
Sailor Moon fans have eagerly anticipated the appearance of Black Lady, the villianess version of Chibiusa, in Sailor Moon Crystal. She has finally arrived in all her evil glory and yet many fans have gotten more than what they bargained for–Black Lady passionately kisses the younger version of her father, Tuxedo Mask, not once, but twice. While some fans have reacted to these cringeworthy scenes with disgust, others have tried to poke fun of Chibiusa’s “Electra Complex.” But what is an “Electra Complex” exactly? Does it even exist? And does Chibiusa really have one?
Recently, I had the great pleasure to be interviewed on the podcast Transformation Sequence. Kym and Vince were amazing hosts! We covered a bunch of topics such as growing up in the 90s, Sailor Moon & feminism, Japanese culture and even my thoughts on Kill La Kill! Vince also managed to suss out who my favorite sailor guardian is….
Check it out!
When I tell other Moonies I run a feminist Sailor Moon website, often times the very next question is: “What are your thoughts about the sexualization of Sailor Chibi Moon?” At first, I was taken aback. I never thought of Chibi Moon as particularly sexualized. I ask what they mean and they tell me, “Well, she has breasts in the manga.” Meaning, Chibiusa is too young to have breasts.
I don’t think Chibiusa is too young to have breasts. And that’s not just a personal opinion; there’s an reason within the story itself as to why Chibiusa/Sailor Chibi Moon is drawn with breasts–and it’s a reason that might not be obvious to Westerners.
In 2013, when it was announced that Beate Sirota Gordon, contributor to the Japanese Constitution, had passed away, there was scant information available about this singular woman’s life. I detailed my struggle getting my hands the English translation of her memoir in this post. But now, I’m excited to report, there’s not just one book on Beate Sirota Gordon, now there’s two! TWO! (I’m not even being sarcastic!) Publishing this month, we have a biography written by Nassrine Azimi and Michel Wasserman. As someone who devoured Beate’s memoir, I was eager to see what new information this book reveals.
Usually Otakon is my go-to con, but after my friends kept raving about Anime Boston, I decided to switch it up a bit and try it out this year.
Me and my Better Half left Friday morning on Amtrak. We love traveling by train!
Are you excited for Anime Boston 2015?! I sure am! I’ll being doing two panels at Anime Boston this year. Here are the deets:
One of my goals with Shojo Power! is to learn more about feminism from the Japanese perspective. I’ve learned about how Beate Sirota Gordon wrote women’s suffrage into the Japanese constitution during WWII. Raichō Hiratsuka became a leader of the women’s rights movement in the early 1900s and fought for women’s suffrage twenty years prior. For my next exploration, I wanted a book with more recent information. This lead me to Broken Silence: Voices of Japanese Feminism by Sandra Buckley. In Broken Silence, Buckley, an Australian academic, interviews prominent Japanese feminists. Unfortunately, the interviews weren’t as recent as I hoped; published in 1997, the interviews in Broken Silence occurred from 1988 to 1991. However, I realized two things 1) This would give a good picture of the state of feminism in Japan just before Sailor Moon appeared in 1992 and 2) many of the topics covered are still relevant today.